Thursday, 23 April 2009
Week 1
Sunday, 19 April 2009
Love, Mugs and Stickmen
I was the camera operator on the production Love, Mugs and Stickmen written and directed by Ross Williamson.
Ross was an extremely good first time director, he knew what he was doing most of the time. There were only a few time where I was confused.
I was confused and slightly stressed in some sections of the shoot especially when our Lecturer came to visit the set. I think this is because the whole crew was focusing hard not to make a mistake. Our lecturer said some shots looked student like which lowered our moral a little. Looking back on the comment, I agree completely because at that moment in time the production was rushing to finish for a 12 o clock palette class who were moving in to our location. We couldn't take the time to be creative or even frame the shots that were scripted on the storyboards.
A major mistake I made, was accidently pressing regen on the 570 instead of the zoom control and later when capturing, the time-code was a little problem. The thing was I pressed regen again. Next time I will look on where I am putting my fingers. After some help from the AD, I was back on track.
Also another problem was that light stands and some kit was in frame on some shots. Even though kit was at easy access in the room, we should have moved them into a different room. In the future, I should walk through my shot and pay close attention to any unwanted items in shot.
Although there was a crew of six working on the production, it would have ran more smoothly if there was a couple more people. Two of our crew had to continually step in as extras.
The shoot was tiring for me this is because the day before I was filming another production Lord of the Rings in sixty seconds. This took all my energy and away. The professional industry I could imagine is extremely worse but I'm glad I was physically pressurized because it has given me preparation and a little taste of the 'real world.'
We used tracks in the shoot. I asked Adam to use them he said possibly, but referred me to Ray who gave the 'green light.' Before the shoot we were trained how to use them. I was really excited because i have never used them before. The shots that we used them for looked fantastic although it wasn't as smooth as using steel tracks, It made me feel more professional.
On the production I was directed on how to frame and execute each shot. Looking back, I should of put more of my own suggestions and input for shot ideas. This production had no major mistakes or major difficulties. Overall, I was not satisfied with the footage. I loved the whole experience, this was the first time I had been working on a film set. I am eager to learn and gain more experience in this area.
